{"id":3559,"date":"2017-02-05T08:55:08","date_gmt":"2017-02-05T08:55:08","guid":{"rendered":"https:\/\/wochederkritik.de\/?page_id=3559"},"modified":"2017-02-11T15:17:13","modified_gmt":"2017-02-11T15:17:13","slug":"timetable","status":"publish","type":"page","link":"https:\/\/wochederkritik.de\/en_US\/timetable\/","title":{"rendered":"Timetable"},"content":{"rendered":"<p>All shows at 8pm.<\/p>\n<h4><span style=\"text-decoration: underline;\">Wednesday, 8th February<\/span><\/h4>\n<p>Conference: Lost in Politics &#8211; Do films have to be political?<\/p>\n<h4><span style=\"text-decoration: underline;\">Thursday, 9th February &#8211;\u00a0FUTURE<\/span><\/h4>\n<p>Opening<br \/>\nThe Human Surge (El Auge del Humano)<br \/>\nD: Eduardo Williams, AR\/BR\/PT 2016, 100 min.<\/p>\n<p>Guests: Armin Linke \/\/ Dana Linssen \/\/ Eduardo Williams<\/p>\n<h4><span style=\"text-decoration: underline;\">Friday, 10th February &#8211;\u00a0SCOPE<\/span><\/h4>\n<p>Green White Green<br \/>\nD: Abba T. Makama, NG 2016, 102 min.<\/p>\n<p>Sarah Winchester (Sarah Winchester, op\u00e9ra fant\u00f4me)<br \/>\nD: Bertrand Bonello, FR 2016, 24 min.<\/p>\n<p>Guests: Didi Cheeka \/\/ Jutta Br\u00fcckner \/\/ Abba T. Makama<\/p>\n<h4><span style=\"text-decoration: underline;\">Saturday, 11th February &#8211;\u00a0BREAKOUT<\/span><\/h4>\n<p>Aroused by Gymnopedies (Jimunopedi ni midareru)<br \/>\nD: Isao Yukisada, JP 2016, 81 min.<\/p>\n<p>The Headless Appearance<br \/>\nD+DP: Bori M\u00e1t\u00e9, HU 2017, 2 min.<\/p>\n<p>Guests: Peaches \/\/ Julian Ross<\/p>\n<h4><span style=\"text-decoration: underline;\">Sunday, 12th February &#8211;\u00a0UNFINISHED<\/span><\/h4>\n<p>California Dreams<br \/>\nD: Mike Ott, US 2017, 85 min.<\/p>\n<p>Guests: Violeta Kovacsics \/\/ Margit Schild \/\/ Mike Ott<\/p>\n<h4><span style=\"text-decoration: underline;\">Tuesday, 14th February &#8211;\u00a0APPARATUS<\/span><\/h4>\n<p>I am not Madame Bovary (Wo bu shi Pan Jinlian)<br \/>\nD: Feng Xiaogang, CN 2016,\u00a0139 min.<\/p>\n<p>Guests: Irene von Alberti \/\/ Manuel Silva-Ferrer \/\/ Liu Zhenyun<\/p>\n<h4><span style=\"text-decoration: underline;\">Wednesday, 15th February &#8211;\u00a0VERTIGO<\/span><\/h4>\n<p>Let the summer never come again (Lass den Sommer nie wieder kommen)<br \/>\nD+DP: Alexandre Koberidze, DE 2017, 202 min.<\/p>\n<p>Guests: Ruth Anderwald \/\/ Pip Chodorov \/\/ Alexandre Koberidze<\/p>\n<h4><span style=\"text-decoration: underline;\">Thursday, 16th February &#8211;\u00a0EXUBERANCE<\/span><\/h4>\n<p>Planetarium<br \/>\nD: Rebecca Zlotowski, FR\/BE 2016, 106 min.<\/p>\n<p>Fuddy Duddy<br \/>\nD: Siegfried A. Fruhauf, AT 2016, 5 min.<\/p>\n<p>Guests: Hannah Pilarczyk, among others<\/p>\n<h4><span style=\"text-decoration: underline;\">Sunday, 19th February &#8211;\u00a0Re-Run<\/span><\/h4>\n<p><span style=\"font-size: 13px;\">(Accreditations not valid)<\/span><\/p>\n<ul>\n<li>10am: The Human Surge<\/li>\n<li>12am: Planetarium &amp; Fuddy Duddy<\/li>\n<li>2pm: California Dreams<\/li>\n<li>3:30pm: Green White Green &amp; Sarah Winchester<\/li>\n<li>6pm: I am not Madame Bovary<\/li>\n<li>8:30pm: Let the summer never come again<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>All shows at 8pm.<\/p>\n<h4><span style=\"text-decoration: underline;\">Wednesday, 8th February<\/span><\/h4>\n<p>Conference: Lost in Politics &#8211; Do films have to be political?<\/p>\n<h4><span style=\"text-decoration: underline;\">Thursday, 9th February &#8211;\u00a0FUTURE<\/span><\/h4... \n\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-modular.php","meta":{"footnotes":""},"class_list":["post-3559","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/wochederkritik.de\/wp-json\/wp\/v2\/pages\/3559","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wochederkritik.de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wochederkritik.de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wochederkritik.de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wochederkritik.de\/wp-json\/wp\/v2\/comments?post=3559"}],"version-history":[{"count":28,"href":"https:\/\/wochederkritik.de\/wp-json\/wp\/v2\/pages\/3559\/revisions"}],"predecessor-version":[{"id":3704,"href":"https:\/\/wochederkritik.de\/wp-json\/wp\/v2\/pages\/3559\/revisions\/3704"}],"wp:attachment":[{"href":"https:\/\/wochederkritik.de\/wp-json\/wp\/v2\/media?parent=3559"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}